
STREET AND DOCUMENTARY
STREET IS JAZZ. YOU CAN PRACTICE AND BE OPEN TO CHANGE, BUT YOU CAN’T ANTICIPATE THE UNEXPECTED MOMENTS. ALL YOU CAN DO IS BE READY WHEN THE GOOD STUFF HAPPENS.

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Street
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After Dark
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Noire
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Behind The Lens
SEAN HARDIE
Ever since I can remember, I’ve had a camera in my hands. I started out with a Kodak Brownie and my workhorse camera during high school and university was a Canon A-1. Work as a college photog followed with a lot of work doing concert photography. Professional work as a photographer was shelved while I traveled, racking up thousands of rolls of Ektachrome, Kodachrome, Velvia, Provia, and my beloved Tri-X. I started ticking off countries one by one and as I traveled I started to slow down and wanted to stay longer and longer to achieve a depth of understanding of where I was. Part time photographic work in Japan and some limited success in small-scale competitions started to pay the bills for new equipment and lot of experimenting in prints with the latest Japanese technology. At that point I got serious about the craft of photography as opposed to the technical side and became more concerned with the feel of an image in contrast to showcasing photographic technique in landscapes and cityscapes. None of this experience has gone to waste and these days it’s all about telling stories - the equipment doesn’t really matter. I’ll spend whatever time is necessary in front of the computer (or still, in the dark room) but for me it’s all about the experience of taking the picture - the final result is a happy by-product.